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Vol. 16 No. 33 (2018)

View Vol. 16 No. 33 (2018)

Published: 2018-08-27

Full Issue

PDF (Portuguese)

Editorial

Editorial

Dária Jaremtchuk, Liliane Benetti, Silvia Laurentiz, Sônia Salzstein

4-5
- PDF (Portuguese)

Visual essays

A Longa Noite

Lucia Koch

8-28
- PDF (Portuguese)

Articles

Some notes and dilemmas of a curator in Brazil

Felipe Scovino

29-41
- PDF (Portuguese)
Cinthia Marcelle's kiss of Judas – a few notes on “The family in disorder: truth or dare”, Marcelle's solo show at Modern Art Oxford

Patrícia Mourão

43-57
- PDF (Portuguese)
Advantages of Brazilian chaos: the Brazil that Oswald de Andrade discovered in Paris

Thiago Gil de Oliveira Virava

59-79
- PDF (Portuguese)
Notations in passing – a visual thesis by Nathan Lyons

Inês Pereira Coelho Bonduki

81-99
- PDF (Portuguese)
Between the ideal and the real: aesthetics and politics on Jacques-Louis David’s last painting – an interpretation after Benjamin

Francisco De Ambrosis Pinheiro Machado

101-123
- PDF (Portuguese)
The exhibition “15 Years of Artists of the RSFSR” and the struggle against the 'formalists'

Thyago Marão Villela

125-145
- PDF (Portuguese)
Eisenstein’s visual revolution of the art in Ivan, the Terrible

Atilio Avancini, Fernanda Riscali

147-171
- PDF (Portuguese)
Windows without horizon: an iconographic analysis of the Annunciation in films

Pedro de Andrade Lima Faissol

173-195
- PDF (Portuguese)
In front of a catastrophe. Moving-image, deletion-image, and the graveyard by the sea

Lucia Ramos Monteiro

197-217
- PDF (Portuguese)
Devices of visibility & machine programs. Biomedical images in contemporary art: Juana Gómez and Laura Ferguson.

Regilene Sarzi Ribeiro

219-239
- PDF (Portuguese)

Translations

Power of the false

Eric Baudelaire, Lucas Vieira Eskinazi, Nina Guedes

241-253
- PDF (Portuguese)