Faciality and figureability: graphic theses of the face in Egyptian parietal art
DOI:
https://doi.org/10.11606/issn.2316-9133.v32i1pe205158Keywords:
parietal art, face, faciality, figureability, egiptAbstract
Through four detached visual collections of urban murals during ethnographic wanderings through Cairo after the events of the 2011 Egyptian Revolution, the article seeks to open speculations on some graphic theses of contemporary Egyptian parietal arts through their pregnant relations to the face, to a theory of the subject, and to historical truth. By addressing some of these pictorial experiments with faces of young protesters and anonymous people, it is pointed out that, instead of the abstract machine of the faceality of the revolutionary agent, Egyptian murals attributed to the figureability of the human face the metapolitical condition of being anyone, a subject existing beyond the segmentations of demands for recognition.
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