Black brazilian guitar: the contributions of black guitarists to the formation of Brazilian culture.

Authors

  • Diego Jandira Unifesp

DOI:

https://doi.org/10.11606/issn.2316-9133.v34i1pe234810

Keywords:

Black Guitar, afro-brazilian culture, samba, choro

Abstract

This article explores the trajectory of the Black guitar in Brazil, highlighting its influence on the formation of Brazilian popular music. The study identifies how the guitar became a central instrument in the expression of Afro-Brazilian culture, showcasing the contribution of Black musicians in shaping a unique Brazilian musical identity. Additionally, the article discusses the role of the guitar as a tool for resistance and cultural affirmation, emphasizing the importance of recognizing and valuing the legacy of Black artists in the history of music in Brazil.

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Author Biography

  • Diego Jandira, Unifesp

    Graduated in Social Sciences from the Federal University of São Paulo (UNIFESP). He works as a researcher on the Brazilian Black Guitar project, dedicated to valuing Afro-Brazilian musical heritage. Since 2021, he has been a culture columnist at the Institute for the Reform of Relations between Business and State (IREE), where he writes about art, music, and society. His work combines critical reflection and cultural engagement, highlighting the connections between politics, aesthetics, and Brazilian identity.

Capa da revista cadernos de campo, mostrando uma das fotos que compõem o dossiê quimeras. Foto artística de uma paisagem marítima

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Published

2025-12-05

Issue

Vol. 34 No. 1 (2025)

Section

Dossier on Afro-Brazilian Archives in Network: actions in perspective.

License

Copyright (c) 2025 Cadernos de Campo (São Paulo, 1991)

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

I authorize Cadernos de Campo Journal of Anthropology to publish the work of my authorship/responsibility, as well as I take responsibility for the use of images, if accepted for publication.

I agree with this statement as an absolute expression of truth. On my behalf and on behalf of eventual co-authors I also take full responsibility for the material presented.

I attest to the unpublished nature of the work submitted

How to Cite

Pacheco, D. (2025). Black brazilian guitar: the contributions of black guitarists to the formation of Brazilian culture. Cadernos De Campo (São Paulo, 1991), 34(1), e234810. https://doi.org/10.11606/issn.2316-9133.v34i1pe234810