Inhabiting a ruin from the present: traces of the horror, the resistance and the grief. On La Ilíada by Teatro de los Andes (2000)
DOI:
https://doi.org/10.11606/issn.2317-9651.v0i12p18-51Keywords:
Teatro de los Andes, memory, violence, resistance, mourning.Abstract
This paper describes and analyses Teatro de los Andes’ La Ilíada (2000). This play critically interprets the recent past of the civic-military dictatorships and the neoliberal present of Bolivia and Latin America by bringing Homer’s text into this context. This is possible thanks to a complex discursive, visual, linguistic – both Quechuan and Spanish – and musical architecture – local and European traditions –, which re-elaborates numerous and varied intertexts. Once this plays presents itself as the memory of a traumatic past-present from which we must learn, the present paper examines the forms of representation of mourning and violence, as well as the resistance and mourning practices. In order to do so, we found support in Latin American Cultural Criticism and Memory Studies, and consider the social and historical period the plays discusses.Downloads
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Published
2016-12-26
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Copyright (c) 2016 María Gabriela Aimaretti
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AIMARETTI, María Gabriela. Inhabiting a ruin from the present: traces of the horror, the resistance and the grief. On La Ilíada by Teatro de los Andes (2000). Caracol, São Paulo, Brasil, n. 12, p. 18–51, 2016. DOI: 10.11606/issn.2317-9651.v0i12p18-51. Disponível em: https://revistas.usp.br/caracol/article/view/119745.. Acesso em: 27 jun. 2024.