The historical memory in panels: representations of the Spanish Civil War in graphic narratives and family testimonials
DOI:
https://doi.org/10.11606/issn.2317-9651.v0i15p286-307Keywords:
Graphic novel, Spanish Civil War, historical memory, postmemory, comics.Abstract
This essay examines how graphic narratives are creating representations of the Spanish Civil War through the testimony of family members. The popularity of comics and graphic novels in Spain has increased in recent years and many of these new publications revolve around different aspects of historical memory. This narratives question hegemonic discourses that had been stablished during the 40 year long dictatorship and that have been constructed as unquestionable. Through the testimonies and the memories of family members, graphic novels such as Antonio Altarriba and Kim’s El arte de volar (2009) or Sento Llobel’s Un médico novato (2014) propound alternative testimonies that echo in the reader’s mind due to their familiarity. These novels showcase the need for a dialogue and a space where to renegotiate a trauma that is still present and that has an effect in the later generations, who haven´t lived this traumatic past but who still feel it as its own through these familiar memories and narratives that help them understand a past that has been silenced in the institutions.
Downloads
References
Altarriba, Antonio y Kim. El arte de volar. Alicante: Edicions de Ponent. 2009.
Cava, Felipe y Bartolomé Seguí. Las serpientes ciegas. Barcelona: BD Banda. 2008.
Díaz Guereñu, J. M. Hacia un cómic de autor: a propósito de Arrugas y
otras novelas gráficas. Bilbao: Universidad de Deusto. 2014.
Dounovetz, Serguei, y Paco Roca. El ángel de la retirada. Barcelona, España: Bang. 2010.
Eco, Umberto. Apocalípticos e integrados. Barcelona-México, D.F: Lumen Tusquets. 1995.
Faber, Sebastiaan. "Actos afiliativos y postmemoria: asuntos pendientes." Pasavento 2.1: 137-155. 2014.
Gallardo Sarmiento, Francisco y Miguel Gallardo. Un largo silencio. Bilbao: Astiberri, 2012.
García, Jorge y Fidel Martínez. Cuerda de presas. Bilbao: Astiberri, 2005
García, José y Paul Preston. La Guerra Civil española. Barcelona: Debate, 2016.
— La muerte de Guernica. Barcelona: Debate, 2017.
García, Santiago. On the Graphic Novel. Jackson: University Press of Mississippi, 2015.
Giménez, Carlos. Todo Paracuellos. Barcelona: Random House Mondadori. 2007.
Guijarro, Carlos. Paseo de los canadienses. Alicante: Edicions de Ponent 2015.
Hirsch, Marianne. The Generation of postmemory: writing and visual culture after the Holocaust. New York: Columbia University Press. 2012.
Labanyi, Jo. “History and Hauntology; or, What Does One Do with the Ghosts of the Past? Reflections on Spanish Film and Fiction of the Post-Franco Period”. Disremembering the Dictatorship. The Politics of Memory in the Spanish Transition to Democracy. Ed. Joan Ramon Resina. Amsterdam Atlanta, Ga: Rodopi. 2000.
Llobell, Sento. Un médico novato. Barcelona: Salamandra Graphic. 2014.
Moix, Terenci. Historia social del cómic. Barcelona: Bruguera Ediciones B. 2007.
Moreno-Nuño, Carmen. “The comic-strip of historical memory: An analysis of Paracuellos by Carlos Giménez, in the light of Persepolis by Marjane Satrapi and Maus by Art Spiegelman”. España en armas: Culture of Wars/War of Cultures. Ed. Antonio Gómez López-Quiñones. Vanderbilt Journal of Luso-Hispanic Studies 4. 2009.
Roca, Paco. Arrugas. Bilbao: Astiberri. 2007.
— El faro. Bilbao: Astiberri. 2005.
— Los surcos del azar. Bilbao: Astiberri. 2013.
Satrapi, Marjane. Persepolis. Barcelona: Norma. 2009.
Spiegelman, Art. Maus: relato de un superviviente. Barcelona: Random House Mondadori. 2007.
Zapico, Alfonso. La balada del norte (Tomo 1). Bilbao: Astiberri, 2015.
— La balada del norte (Tomo 2). Bilbao: Astiberri, 2017.
Downloads
Published
Issue
Section
License
Copyright (c) 2018 Carla Suárez Vega
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License, which permits the dissemination of the work with recognition of authorship and initial publication in this journal.
- Authors are allowed to enter into additional contracts separately for non-exclusive use of the version of the work published in this journal (such as publication in an institutional repository or as a book chapter), with recognition of authorship and initial publication in this journal.
- Authors are allowed and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increasing the impact and citation of the published work (see The effect of open access…).