Respostas impulsivas do cidadão: espaços de protesto na cidade e câmaras de eco
DOI:
https://doi.org/10.11606/rm.v20i1.172157Palavras-chave:
Câmaras de eco, Resposta impulsiva, Espacialização, Paisagem sonora de protesto, Política e somResumo
Câmaras de eco são tanto espaços onde os sons refletem até perderem seus limites claros como maneiras pelas quais os cidadãos perdem a perspectiva, até que apenas um ponto de vista é refletido de volta. Câmaras de eco e seus equivalentes têm sido usadas em música há décadas. Em nossos meios de comunicação de massa e mídias sociais, câmaras de eco só recentemente têm ocupado as manchetes, particularmente no que antecedeu e sucedeu a eleição presidencial de 2016 nos Estados Unidos. Essas câmaras de eco físicas e culturais podem ser apreendidas e estudadas, mas e quanto aquelas câmaras de eco encontradas nas paisagens sonoras das ruas das cidades? O processo e criação da Biblioteca de Respostas Impulsivas do Cidadão tem conectado as câmaras de eco da política, democracia, mídias e das ruas da capital estadunidense. Trata-se de uma coleção de arquivos de respostas impulsivas criadas a partir de gravações dos protestos em Washington, D. C. Essa resultante tangível, apesar de conceitual, emergiu da história dos efeitos sônicos espaciais, urbanos e paisagens sonoras democráticas.
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