Vol. 45 No. 50 (2018): Dossiê Os anos 1968 no cinema

View Vol. 45 No. 50 (2018): Dossiê Os anos 1968 no cinema

Número referente aos meses de julho a dezembro de 2018

Published: 2018-07-04

Full Issue

Presentation

  • Presentation

    Eduardo Victorio Morettin, Carolina Amaral de Aguiar, Ignacio Del Valle Dávila
    12-21
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.146757

Articles

  • “Cavação” and domestic cinema: ruptures and continuities in family pictures

    Thais Continentino Blank
    159-178
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.139943

  • Considerations on the musical numbers of Brazilian chanchadas

    Flávia Cesarino Costa
    179-203
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.138619

  • The word in motion in the film Sansho the bailiff, de Kenji Mizoguchi

    Maria Schtine Viana
    204-222
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.142283

  • Documentary Cinema and Genocide: towards an integral approach

    Lior Zylberman
    223-238
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.144075

  • Successful drama TV series features and audience engagement

    Sílvio Antonio Luiz Anaz
    239-258
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.143013

  • Mediation and dialogue in the telenovela Liberdade, Liberdade

    Nara Lya Cabral Scabin
    259-277
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.143435

  • Paradoxical senses of TV identitty on internet

    Suzana Kilpp
    278-296
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.140894

Dossier

  • “Revolution Writing”: Jean-Luc Godard’s cinétracts and the Art of May 1968

    Dominic Topp
    22-43
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.141980

  • Marcuse, the Great Refusal and cinema after May 68: an approximation

    Leonardo Gomes Esteves
    44-61
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.141990

  • From utopia to disenchantment

    Laécio Ricardo de Aquino Rodrigues
    62-78
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.140967

  • A grin without a cat: the subterranean sensitive matter of history

    André Brasil, Julia Fagioli
    79-101
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.142108

  • The drafts of the Guinean nation in Madina Boé (1968), by José Massip

    Alexsandro de Sousa e Silva
    102-122
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.141857

  • Revolutionaries, dictatorship and ruins to the sound of Villa-Lobos

    Luíza Beatriz Alvim
    123-142
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.141972

  • Reflections about the Cinemateca do Museu de Arte Moderna of Rio de Janeiro in the late 1960s and early 1970s

    Fabián Núñez
    143-158
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.142098

Traduções

  • The hour of the furnaces and the Italian political cinema

    Mariano Mestman
    297-317
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.145159