Agency in the cinematic conspiracy thrillers

Authors

  • Temenuga Trifonova York University

DOI:

https://doi.org/10.11606/issn.1982-677X.rum.2017.135318

Keywords:

Cinema, thrillers de conspiração, agência, paranoia

Abstract

Do conspiracy thrillers contribute to the denial of agency in contemporary culture thereby rendering paranoia as its dominant ‘structure of feeling’? Are they irrational oversimplifications or do they call attention to the complexities of the new global order? This paper examines recent conspiracy thrillers in terms of changing representations of agency. I argue that contemporary conspiracy thrillers testify to a growing uncertainty about issues of causality, responsibility, and agency, and to the routinization of conspiracy.

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Author Biography

  • Temenuga Trifonova, York University

    Professora de cinema e artes midiáticas na School of the Arts, Media, Performance & Design da York University. Foi professora na Universidade da Califórnia e na Universidade de New Brunswick. Doutora em teoria estética, filosofia e literatura pela State University of New York. Autora dos livros Warped Minds: Cinema and Psychopathology (Amsterdam University Press, 2014), European Film Theory (Routledge, 2008) e The Image in French Philosophy (Rodopi, 2007).

References

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JAMESON, F. The geopolitical aesthetic: cinema and space in the world system. Londres: BFI Publishing, 1995.

KNIGHT, P. (Ed.). Conspiracy culture: American paranoia from Kennedy to the X-files. Nova York: Routledge, 2001.

KRAEPELIN, E. Introduction à la psychiatrie clinique. Paris: Vigot Frères, 1907.

LYNCH, K. The image of the city. Cambridge, MA: MIT Press, 1960.

PRATT, R. Projecting paranoia: conspiratorial visions in American film. Lawrence: University Press of Kansas, 2001.

TRIFONOVA, T. Multiple personality and the discourse of the multiple in Hollywood cinema. European Journal of American Culture, v. 29, n. 2, p. 145-171, 2010.

VIDLER, A. Warped space: art, architecture and anxiety in modern culture. Cambridge: The MIT Press, 2002.

Published

2017-11-23

Issue

Section

Dossier

How to Cite

Agency in the cinematic conspiracy thrillers. RuMoRes, [S. l.], v. 11, n. 22, p. 59–88, 2017. DOI: 10.11606/issn.1982-677X.rum.2017.135318. Disponível em: https://revistas.usp.br/Rumores/article/view/135318.. Acesso em: 22 jul. 2024.