Ballet and theatre: family as mediation in the teacher-spectator’s training
DOI:
https://doi.org/10.11606/issn.2238-3999.v6i1p100-113Keywords:
Spectator, Family, Teachers’ training, Performing arts.Abstract
This article presents, based on the experiences of two Brazilian teachers of theatre and dance, considerations about the relationship between the constitution of a spectator’s identity and the family’s mediation in this process according to the teachers’ first memories as spectators. To corroborate this discussion, seminal concepts by Pierre Bourdieu were used, such as the cultural and symbolic capital and habitus, as well as the conception of memory by the neuroscientist Iván Izquierdo. From the subject presented, I finished suggesting the training of performing arts’ teachers.Downloads
References
BOURDIEU, P. A distinção: crítica social do julgamento. São Paulo/Porto Alegre: Edusp/Zouk, 2006.
FERREIRA, T. A escola no teatro e o teatro na escola. 2. ed. Porto Alegre: Mediação, 2010.
IZQUIERDO, I. Conferência de abertura. ISAACSSON, M. et al. (orgs.). Tempos de memória: vestígios, ressonâncias e mutações. Porto Alegre: AGE, 2013.
TORRES, M. C. A. R. Identidades musicais de alunas de Pedagogia: músicas, memória e mídia. 2003. Tese (Doutorado em Educação) – Faculdade de Educação da Universidade Federal do Rio Grande do Sul, Porto Alegre, 2003. Disponível em: <http://www.ufrgs.br/neccso/pdf/tese_identidadesmusicais.pdf>. Acesso em: 28 dez. 2015.
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