On the Table: Us
DOI:
https://doi.org/10.11606/issn.2238-3999.v9i1p171-184Keywords:
Diary, Network creation, Galpão GroupAbstract
This essay aims to analyze the being-object Mesa do Grupo Galpão, from Minas Gerais as a possible materiality to what we can call a diary, acting as a documental field of the group with spatial, verbal, temporal and graphics information that, between so many challenges and (re) existences, fights against the forgetfulness of processes. With an iron support and a big old waste wood cover, Mesa will be analyzed as a mobile code in dialogue with the reflections that make up the diary Perto: a compositional diary (not yet published) written by the actor and founder of the group, Eduardo Moreira, whose writing happened during the process of mounting the play Nós, directed by Marcio Abreu. The diary will also be analyzed with the in-process poem, A Mesa, by Francis Ponge, the book A poética do espaço, by Bachelard, and the theory of the creation network, by Cecilia Sales.
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References
BACHELARD, Gaston. A poética do espaço. São Paulo: Martins Fontes, 1993.
BROOK, Simon; BROOK, Peter. Brook by Brook: portrait intime. Strasbourg: Arte Éditions, 2004. 1 DVD.
MOREIRA, Eduardo da Luz. Perto: um diário de montagem. Texto inédito. 2016. No prelo.
MORIN, Edgar. Introdução ao pensamento complexo. Porto Alegre: Sulina, 2015.
SALLES, Cecilia. Redes da criação: construção da obra de arte. São Paulo: Horizonte, 2014.
PONGE, Francis. A Mesa. Tradução e apresentação de Ignacio Antonio Neis e Michel Peterson. São Paulo: Iluminuras, 2002.
TAVARES, Gonçalo. Atlas do Corpo e da Imaginação. Córdova: Editorial Caminho, 2013.
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