The attention in the contemporary theater: a critical study of Lehmann, Desgranges and Rancière
DOI:
https://doi.org/10.11606/issn.2238-3999.v2i1p164-173Keywords:
attention, actor, spectator, experience, twenty-first century.Abstract
This article presents part of the Master thesis titled "A atenção e a cena", developed between 2009 and 2011 at the University of São Paulo. For this reflection was used the subject of attention, developed by Hugo Munsterberg (2004), was chose some of the theatrical theories produced in the early twenty-first century to review. Three authors whose theories had exerted much influence in Brazil were elected to be studied. The analysis of subject of attention in the studies of Lehmann (2007), Desgranges (2009) and Rancière (2010), intends to open new possibilities for theoretical discussion about the contemporary theater.
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