On women, picaroons and escapes: memories from de Malvinas War.
DOI:
https://doi.org/10.11606/issn.2317-9651.v0i12p76-99Keywords:
Argentina, Malvinas War 1982, Independent TheaterAbstract
According to Lorenz (2013), the Memory, Truth and Justice policies implemented in Argentina between 2003 and 2015 offered new possibilities to revise “Malvinas” and question its meanings. How does this political scenario of “Malvinización” appear on independent theaters’ stages in Buenos Aires? How do dramatic texts translate, reflect, subvert, narrate and elaborate the memories of the Malvinas War and its dilemmas? This paper analyzes Mariana Mazover’s Piedras dentro de la Piedra, presented on March 30th, 2012, three days before the 30th anniversary of the beginning of the war, in La Carpintería Theater in Buenos Aires. We examine how this play recovers the intervention of women in the war, and in which way it explores the possibility theater shares with literary fiction of undermining key notions that symbolically support the war: national identity, motherland, and honor.
Downloads
Downloads
Published
Issue
Section
License
Copyright (c) 2016 Veronica Perera

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License, which permits the dissemination of the work with recognition of authorship and initial publication in this journal.
- Authors are allowed to enter into additional contracts separately for non-exclusive use of the version of the work published in this journal (such as publication in an institutional repository or as a book chapter), with recognition of authorship and initial publication in this journal.
- Authors are allowed and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increasing the impact and citation of the published work (see The effect of open access…).