Vol. 12 No. 12 (2022): ARA 12 YMÃ - Artes: outros modos de produção e recepção?

• Expediente ARA 12

  2

• Sumário ARA 12

  3

Editorial

• Renew ties and bridges

  Maria Cecília França Lourenço

  5-13

  • PDF (Portuguese)

Dossiê GMP

• Out of control between the collective memory and digital culture

  Amanda Saba Ruggiero

  17-28

  • PDF (Portuguese)

• São Paulo inks: the scars of inequality

  Anna Maria Abrão Khoury Rahme

  31-59

  • PDF (Portuguese)

• Beyond 1922

  Maria Cecília França Lourenço

  61-94

  • PDF (Portuguese)

• The digital in collective art: COVID Latam and Opavivará

  Regina Lara Silveira Mello, Leslye Revely dos Santos Arguello

  97-120

  • PDF (Portuguese)

Artigo/Ensaio

• The Shadows of Laoximen (fragment)

  Andre Leite Coelho

  125-149

  • PDF (Portuguese)

• The Aldorossian teatro del mondo: an invitation to proustian fruition

  Carolina Rodrigues Boaventura

  151-172

  • PDF (Portuguese)

• Occupation- Monument : another memory for São Paulo today

  Erica Ferrari

  175-208

  • PDF (Portuguese)

• Hans Günter Flieg's industrial photography and the representation of Brazilian modernity

  Marco Aurelio Fiochi

  211-230

  • PDF (Portuguese)

• Time, movement and urbanity: slow cinemas and the aesthetics of slowness as an experience of real urban living

  Paul Newman dos Santos, Paulo Cesar Castral

  233-256

  • PDF (Portuguese)

• Reception and participation in contemporary installations: evidence of their social function

  Fabiane Schafranski Carneiro

  259-285

  • PDF (Portuguese)

• The e xhibitions curated by Georges Didi - Huberman and their contribution to the spread of Warburguian thought

  Isabel Xavier

  289-308

  • PDF (Portuguese)

• Witnesses – Against Our Vanishing: Nan Goldin, AIDS and the photograph of intimacy

  Priscyla Freitas Gomes

  311-326

  • PDF (Portuguese)