Performed recordings

Notes on the use of phonographic material in a roda de choro

Authors

  • Renan Moretti Bertho Universidade Estadual de Campinas

DOI:

https://doi.org/10.11606/issn.2447-7117.rt.2018.153144

Keywords:

choro; phonographic industry; ethnography, Choro, Phonographic Industry, Ethnography

Abstract

This paper observes how transformations occurred between the 1920s and 1960s propelled the construction of moral conceptions, aesthetic conventions and ideological assumptions that have perpetuated over time and still remain in the practice of choro. To do so, I use ethnographic data constructed during my master's research (Bertho, 2015), relating them to authors such as Bessa (2010), Saraiva (2008) and Turino (2018).

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Author Biography

  • Renan Moretti Bertho, Universidade Estadual de Campinas

    Renan Moretti Bertho holds a PhD in Music from the State University of Campinas (Unicamp). He holds a master's degree in Music from the same institution (2015) and a degree in Music Education from the Federal University of São Carlos (2008). He is researcher of thematic project "Musicar Local - new tracks for ethnomusicology", coordinated by Suzel Ana Reily. Develops the research "Trilhas do choro: between participatory and presentational in the wheels of the interior of São Paulo" and holds the position of 2nd Treasurer of the Brazilian Association of Ethnomusicology - ABET - 2017/2019 management. As flutist, he works in Brazilian music groups (with emphasis on choro and samba) and has participated in important festivals such as Virada Cultural Paulista and Brasil Instrumental.

References

Revista da Tulha Volume 4 Número 2 JUL-DEZ 2018

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Published

2018-12-28

Issue

Vol. 4 No. 2 (2018)

Section

Comunication

License

Copyright (c) 2018 Renan Moretti Bertho

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors retain copyright and grant the journal the right to first publication, with the work licensed under the Creative Commons Attribution License CC-BY-NC:

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

Bertho, R. M. (2018). Performed recordings: Notes on the use of phonographic material in a roda de choro. Revista Da Tulha, 4(2), 215-227. https://doi.org/10.11606/issn.2447-7117.rt.2018.153144