Ganga-Zumbi

analysis and outlook

Authors

DOI:

https://doi.org/10.11606/issn.2447-7117.rt.2019.160589

Keywords:

Ganga-Zumbi, Cancional Analysis, Song, Song Semiotics

Abstract

Ganga-Zumbi is a work that analyzes, from a historic, semiotic, rhythmic and harmonic perspective, the contemporary Minas Gerais song Ganga-Zumbi. This song - composed by Sérgio Santos and Paulo César
Pinheiro - highlights an archetype of Brazilian culture in a synthesis that brings in itself many rhythmic, ritualistic and song elements, telling the story of one of its historical characters, Zumbi dos Palmares. We delimit “contemporary” in a time lapse that extends to the last twenty years, and “mineiro”, to an object centered on its capital, which – in a certain way – represents the identity and production axes of the state.

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References

Revista da Tulha Volume 5 Número 1 JAN-JUN 2019

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Published

2019-10-01

Issue

Vol. 5 No. 1 (2019)

Section

Article

License

Copyright (c) 2019 Pedro deGrammont e Souza de Grammont e Souza

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors retain copyright and grant the journal the right to first publication, with the work licensed under the Creative Commons Attribution License CC-BY-NC:

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

Souza, P. de G. e. (2019). Ganga-Zumbi: analysis and outlook. Revista Da Tulha, 5(1), 195-232. https://doi.org/10.11606/issn.2447-7117.rt.2019.160589