Non-binarity as a principle of the performative program: the perception of the world’s scenic power through gender transition
DOI:
https://doi.org/10.11606/issn.2238-3999.v14i1p89-101Keywords:
Cuír/queer theory, Action program, Non-binarity, Experience and practiceAbstract
In an auto-ethnographic approach, I explore my gender transition as a perceptual and epistemological turning point, and the way its outcomes relate to the foundations of what Eleonora Fabião describes as a performative program. The aim is to explore a form of contact with such notion that is transcentred, empirical, and a priori of what is conventionally called a space of artistic creation. Furthermore, it’s also discussed the way in which this paradigm, not only trans, but specifically non-binary, is crucial to such analysis.
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