The creative dialogue between the scene's music composer and the contemporary director in the staging art.

Abstract

The aim of this research is to identify and present manners to enhance the creative dialogue between the scene's music composer and the contemporary director in the staging art. We will begin from the premise that the contemporary scene's music is not only constituted by sounds, but also by the images, ideas and the other staging elements and therefore demand an updated form of analysis, to verify if the hypothesis of a macro-harmony - the idea of considering the music as one of the staging integrated elements and modifier at the same time - is also integrated and modified by staging itself. It is an analytical possibility and consequently if it can represent a possible field in which both the composer and the director can dialogue during the staging process. This article is scoped only in one part of the ongoing research, the hypothesis of macro-harmony.