Um Diálogo Possível: Paralelo Entre Infância e História: Destruição da Experiência e Origem da História, de Giorgio Agamben, e o Processo de Criação de Peças Curtas para Desesquecer, da Companhia Perdida
DOI:
https://doi.org/10.11606/issn.2238-3999.v3i1p74-84Keywords:
dance, experience, Giorgio Agamben, Companhia Perdida, Juliana Moraes.Abstract
This article is the result of research conducted in the Programa de Pós-Graduação em Artes Cênicas da ECA-USP (Posgraduate Program in Performing Arts of ECA-USP), and relates the text Infancy and History: Essays on the Destruction of Experience, by Giorgio Agamben (2008), to the process of dance creation of Peças curtas para desesquecer (Short pieces to unforget), of Companhia Perdida (Perdida Dance Company), directed by Juliana Moraes (2012). Assuming that art is a form of knowledge that communicates through the materiality of the body (VIEIRA, 2006, 2008), the study considers the creation of dance as language production and close moments experienced by interpreters of the company to the concepts developed by the author above.
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