DISSOLUTION OF BOUNDARIES: the performative work of Sophie Calle

Authors

  • Sofia Rodrigues Boito Universidade de São Paulo. Escola de Comunicações e Artes

DOI:

https://doi.org/10.11606/issn.2238-3999.v4i1p62-70

Keywords:

Performativity, Photography, Situationism

Abstract

This article analyses Suíte Vénitienne, an artistic project from the french artist Sophie Calle, using theoretical tools from various fields: visual arts, urbanism and the scenic arts. The author intends, with the analysis of this specific work, to investigate how contemporary artistic works promote the dissolution of the old artistic categories and the boundaries that separate “art” from “life”.

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References

BASBAUM, R. R. Além da pureza visual, Porto Alegre, Zouk, 2007.

CALLE, S. M’as-tu vue?, Paris, Éditions du Centre Pompidou, 2003.

COTTON, C., A fotografia como arte contemporânea, São Paulo, Martins Fonte, 2010.

ENTLER, R. “Testemunhos silenciosos: uma nova concepção de realismo na fotografia contemporânea”, In: ARS n°8, São Paulo, Departamento de Artes Plásticas da ECA/USP, 2006. Link: http://www.cap.eca.usp.br/ars8/entler.pdf . Data de acesso: 10/07/2012.

FISCHER-LICHTE, E. The transformative power of performance – a new aesthetics, Taylor & Francis e-Library, 2008.

FABIÃO, E. “Performance e teatro” In: Sala Preta n.8, São Paulo, PPGAC-ECA-USP, pp. 235-246, 2008.

FÉRAL, J. “Por uma poética da performatividade: o teatro performativo”. In: Sala Preta, São Paulo, PPGAC-ECA-USP, V.8, pp. 197-210, 2008.

JACQUES, P.B. Elogio aos errantes, Salvador, EDUFBA, 2012.

FLUSSER, V. Filosofia da caixa preta, São Paulo, Hucitec, 1985.

SONTAG, S. Sobre fotografia, São Paulo, Companhia das Letras, 2004.

WHITECHAPEL GALLERY. Sophie Calle: talking to strangers, London, Whitechapel Gallery, 2009. Curador da exposição: Andrea Tarsia.

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Published

2014-06-30

Issue

Vol. 4 No. 1 (2014): Arte e Vida

Section

Artigos (Articles)

License

Copyright (c) 2014 Revista Aspas

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How to Cite

Boito, S. R. (2014). DISSOLUTION OF BOUNDARIES: the performative work of Sophie Calle. Revista Aspas, 4(1), 62-70. https://doi.org/10.11606/issn.2238-3999.v4i1p62-70