The european context of action and training in the passage of the 19th to the 20th Century

Authors

  • Umberto Cerasoli Júnior Universidade de São Paulo. Escola de Comunicações e Artes

DOI:

https://doi.org/10.11606/issn.2238-3999.v1i1p179-187

Keywords:

renewal theater, theater 19th Century

Abstract

This article aims to present the model of performance and training of the actor adopted in Europe at the end of the 19th Century, in order to contextualize the theatrical atmosphere against which the main othernormative theater of the 20th Century protested. In the end, we stand out, briefly, the contributions that François Presença, Émilie Jacques Dalcroze and the Oriental Theater offered for this renewal.

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Author Biography

  • Umberto Cerasoli Júnior, Universidade de São Paulo. Escola de Comunicações e Artes

    Doutorando em Artes Cênicas/USP Área de Concentração: Pedagogia do Teatro

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Published

2011-10-07

Issue

Vol. 1 No. 1 (2011)

Section

Artigos

License

Copyright (c) 2011 Revista Aspas

Creative Commons License

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How to Cite

Júnior, U. C. (2011). The european context of action and training in the passage of the 19th to the 20th Century. Revista Aspas, 1(1), 179-187. https://doi.org/10.11606/issn.2238-3999.v1i1p179-187