Sense of Composition in acting at Michael Chekhov

Authors

  • Maritza Farías Cerpa Universidade de São Paulo. Escola de Comunicações e Artes

DOI:

https://doi.org/10.11606/issn.2238-3999.v2i1p112-120

Keywords:

Composition. Acting. Creative individuality. Tragic Daily Life. Michael Chekhov

Abstract

Abstract: This paper aims to present one of the acting procedures developed by Russian actor Michael Chekhov in respect to the "sense of composition". We choose this principle, because it contains the fundamental lines of interaction with “tragic daily life” concept extensively researched and developed in our research of Masters, the proposed association analysis, and creative approach to making theater scene set from of the actor's creative individuality and finding a dramaturgical theory and provocation.

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Author Biography

  • Maritza Farías Cerpa, Universidade de São Paulo. Escola de Comunicações e Artes

    Mestranda do Programa de Pós-Graduação em Artes Cênicas – USP. 

References

CHEKHOV, Michael. Lecciones para el Actor Profesional. Barcelona: Alba Editorial Barcelona, 2006.

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______. Sobre la Técnica de la Actuación. Barcelona: Alba Editorial, 1999.

______. On the Technique of Acting. New York: Harper Perennial, 1991.

______. Para o Ator. São Paulo: Martin Fontes, 1986.

______. To the Director and Playwright. New York: Limelight Editions, 1984.

MAETERLINCK, Maurice. A vida das Abelhas. São Paulo: Martin Claret, 2001.

______. Menu Propos: Un Théâtre d´Androïdes - 1890. In: Introduction à une psychologie des songes (1886-1896) - textes réunis et commentés par Stefan Gross. Bruxelles: Éditions Labor, 1985.

______. A Sabedoria e o Destino. São Paulo: Pensamento, 1983.

______. A Intrusa. Porto Alegre: Centro de Arte Dramática da Faculdade de Filosofia da Universidade Federal do Rio Grande do Sul, 1967.

______. El Tesoro de los Humildes. Madrid: Ediciones Prometeo, 1966.

______. Teatro Completo. Traducción y Prólogo de María Martínez Sierra. 2. Ed. México: Aguilar, 1961.

______. O Tesouro dos Humildes. São Paulo: Pensamento, 1945.

Published

2012-10-07

Issue

Section

Relatos de Pesquisas em Andamento

How to Cite

Cerpa, M. F. (2012). Sense of Composition in acting at Michael Chekhov. Revista Aspas, 2(1), 112-120. https://doi.org/10.11606/issn.2238-3999.v2i1p112-120