Parecido, mas não igual: Proyecto Filoctetes e Project Embed – processos distintos, resultados semelhantes

Authors

  • Christiane de Fátima Martins Universidade de São Paulo. Escola de Comunicações e Artes. Programa de Pós-Graduação em Artes Cênicas.

DOI:

https://doi.org/10.11606/issn.2238-3999.v1i1p15-21

Keywords:

contemporaneity, performance art, theatricality, urban intervention

Abstract

From the comparative analysis of the works  Proyecto Filoctetes, by Emilio García
Wehbi, and  Project Embed, by Mark Jenkins, this research aims to discuss the hybridism in
contemporary artistic productions and their nomenclatures, especially the intersection between
Scenic Arts and Visual Arts, like the performance art, which occurs in the work of both artists with
different trajectories, formations (artistic languages) and nationalities, but who have produced
similar works.

Downloads

Download data is not yet available.

Author Biography

  • Christiane de Fátima Martins, Universidade de São Paulo. Escola de Comunicações e Artes. Programa de Pós-Graduação em Artes Cênicas.
    Mestranda em Artes Cênicas/USP Área de Concentração: Teoria e Prática do Teatro Orientador: Felisberto Sabino da Costa

Downloads

Published

2011-10-07

Issue

Vol. 1 No. 1 (2011)

Section

Artigos

License

Copyright (c) 2011 Revista Aspas

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Whenever publishing material referring to the article published in the aSPAs Journal, the authors commits to mentioning such publication as follows:

 “This article was originally published by aSPAs Journal volume (insert the volume), number (insert the number) in the year (insert the year) and can be accessed in: http://revistas.usp.br/aspas"

How to Cite

Martins, C. de F. (2011). Parecido, mas não igual: Proyecto Filoctetes e Project Embed – processos distintos, resultados semelhantes. Revista Aspas, 1(1), 15-21. https://doi.org/10.11606/issn.2238-3999.v1i1p15-21