Glotopolitics and genetic criticism
DOI:
https://doi.org/10.11606/issn.2317-9651.i27p189-216Keywords:
Glotopolitics, Genetic criticism, Translation, Colonialism, Latin-American literatureAbstract
From plurilingualism to the gesture of translation, this essay proposes a comprehensive reading of distinct glotopolitical crossings in literary writing. I revisit the works of writers whose practice is structured by a linguistic overlapping, as well as by the political consciousness of the colonial hierarchies to which they are subject. Through essays by Jacques Derrida and Sylvia Molloy, I foreground the compositional processes of Latin American writers Copi and Alejandra Pizarnik as unavoidable landmarks of this creative in-between. From the transit between languages, I draw axes capable of guiding a systematization of these glotopolitical dimensions in literary creation.
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References
Copi. Le bal des folles. Paris: Bourgois, 1977.
Copi. O uruguaio. Tradução de Carlito Azevedo. Rio de Janeiro: Rocco, 2015.
Copi. L’Uruguayen. Paris: Bourgois, 2018.
Deleuze, Gilles; Guattari, Félix. Kafka. Por uma literatura menor. Tradução de Cíntia Vieira da Silva. Belo Horizonte: Autêntica Editora, 2017.
Derrida, Jacques. O monolinguismo do outro. Tradução de Fernanda Bernardo. Belo Horizonte: Chão da Feira, 2016.
Di Ció, Mariana. Une calligraphie des ombres. Saint-Denis: Presses universitaires de Vincennes, Université Paris 8, 2014.
Guespin, Louis; Marcellesi, Jean-Baptiste. Pour la glottopolitique. Langages, No. 83, Glottopolitique (Septembre 86), 1986, p. 5-34.
Molloy, Sylvia. Viver entre línguas. Tradução de Julia Tomasini e Mariana Sanchez. Belo Horizonte: Relicário, 2018.
Pizarnik, Alejandra. O inferno musical. Tradução de Davis Diniz. Belo Horizonte: Relicário, 2021.
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Fundação de Amparo à Pesquisa do Estado de São Paulo
Grant numbers Processo nº 2021/09327-9