Vol. 1 No. 18 (2023): Literatura para pensar o futuro: os mundos da ficção científica

Edição organizada por:

Prof. Dra. Karin Volobuef

Profª. Dr. Maria Zilda da Cunha

Profª. Ms. Nathalia Xavier Thomaz

Published: 2023-12-20

Full Issue

PDF (Portuguese)

Editorial

Editorial O que é ficção científica?

Karin Volobuef, Nathalia Xavier Thomaz, Maria Zilda da Cunha

8-14
- PDF (Portuguese)

Entrevistas

Science Fiction, climate urgency and the importance of inter-knowledge dialogue: interview with writer and researcher Ana Rüsche

Bruno Anselmi Matangrano

16-35
- PDF (Portuguese)

Artigos

INTERMIDIALITY IN SCIENCE FICTION: A STUDY ON THE ALIEN SERIES AND ITS FORMS OF TRANSPOSITION BETWEEN CINEMA, ROMANCE AND VÍDEO GAME

Rhuan Felipe Scomacao da Silva

37-53
- PDF (Portuguese)
Notes about the end of the Earth: elements of science fiction and horror in the literary novel "Metro 2033" and in the homonymous video game

Jucélia de Oliveira Martins, Alexander Meireles da Silva

54-79
- PDF (Portuguese)
Horrorshow: Ultraviolence as a Dystopian Element in A Clockwork Orange

Samuel Renato Siqueira Sant'Ana, Cido Rossi

80-102
- PDF (Portuguese)
ETHICS IN ARTIFICIAL INTELLIGENCE: REINTERPRETATIONS OF "ROBOT DREAMS", BY ASIMOV, IN THE WORK OF IAN MC EWAN "MACHINES LIKE ME AND PEOPLE LIKE YOU"

Fernanda Aquino Sylvestre

103-119
- PDF (Portuguese)
FAR BEYOND CYBERPUNK: REFLECTIONS ON RETROFUTURISTIC FICTION

Alexander Meireles da Silva

120-142
- PDF (Portuguese)
Time and passional states of the subject: recycling of the character Rita Baiana, by Aluísio de Azevedo, on the steampunk novel A Lição de Anatomia do Temível Dr. Louison, by Enéias Tavares

Ana Carolina Lazzari Chiovatto

143-172
- PDF (Portuguese)
Paradises lost and regained in science fiction

Gabriele Cristina Borges de Morais

173-196
- PDF (Portuguese)
O filho mais velho de Deus e/ou livro IV: science antifiction in the conspiracy theories of the Mutarellian narrative

Damásio Marques da Silva

197-212
- PDF (Portuguese)
Entre materialismo y espiritismo: la representación artística en El ruiseñor y el artista de Eduardo L. Holmberg

Gabriella Menczel

213-231
- PDF (Spanish)

Reviews

Histories of science fiction: The Challenge of Periodization in "The History of Science Fiction", by Adam Roberts

Ana Rüsche

233-245
- PDF (Portuguese)
"The Word for World is Forest", by Ursula K. Le Guin: a novel of ethnographic allegory

Raquel Mayne Rodrigues

246-255
- PDF (Portuguese)
JUST LIKE A VISIT TO THE GALERY OF THE SINISTER: THE ART OF PULP HORROR

Amanda Berchez

256-264
- PDF (Portuguese)

Vol. 1 No. 18 (2023): Literatura para pensar o futuro: os mundos da ficção científica

Full Issue

Editorial

Editorial O que é ficção científica?

Entrevistas

Science Fiction, climate urgency and the importance of inter-knowledge dialogue: interview with writer and researcher Ana Rüsche

Artigos

INTERMIDIALITY IN SCIENCE FICTION: A STUDY ON THE ALIEN SERIES AND ITS FORMS OF TRANSPOSITION BETWEEN CINEMA, ROMANCE AND VÍDEO GAME

Notes about the end of the Earth: elements of science fiction and horror in the literary novel "Metro 2033" and in the homonymous video game

Horrorshow: Ultraviolence as a Dystopian Element in A Clockwork Orange

ETHICS IN ARTIFICIAL INTELLIGENCE: REINTERPRETATIONS OF "ROBOT DREAMS", BY ASIMOV, IN THE WORK OF IAN MC EWAN "MACHINES LIKE ME AND PEOPLE LIKE YOU"

FAR BEYOND CYBERPUNK: REFLECTIONS ON RETROFUTURISTIC FICTION

Time and passional states of the subject: recycling of the character Rita Baiana, by Aluísio de Azevedo, on the steampunk novel A Lição de Anatomia do Temível Dr. Louison, by Enéias Tavares

Paradises lost and regained in science fiction

O filho mais velho de Deus e/ou livro IV: science antifiction in the conspiracy theories of the Mutarellian narrative

Entre materialismo y espiritismo: la representación artística en El ruiseñor y el artista de Eduardo L. Holmberg

Reviews

Histories of science fiction: The Challenge of Periodization in "The History of Science Fiction", by Adam Roberts

"The Word for World is Forest", by Ursula K. Le Guin: a novel of ethnographic allegory

JUST LIKE A VISIT TO THE GALERY OF THE SINISTER: THE ART OF PULP HORROR

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