Vol. 11 No. 2 (2022)

Published: 2023-02-11

Full Issue

PDF (Portuguese)

PRESENTATION

Apresentação

Eduardo Vicente

6
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- XML (Portuguese)
Presentación del dosier “tecnologías de innovación”

Denize Araujo

7-13
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- XML (Portuguese)

DOSSIÊ

Transdisciplinarity in digital media art as a process of creation-research

Full Professor, Marcos Luiz Mucheroni, Selma Pereira

14-23
- PDF (Portuguese)
- XML (Portuguese)
Online affections: memory, presence and exchanges in events during the pandemic

Patricia Moran, Tom Paranhos

24-33
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- XML (Portuguese)
Art and immersive, interactive and intelligent network environments – AIR

Andreia Machado Oliveira, Matheus Moreno dos Santos Camargo

34-40
- PDF (Portuguese)
- XML (Portuguese)
Believability in virtual reality: a proposal to study brand communication in metaverses

Eduardo Zilles Borba

41-48
- PDF
- XML (Portuguese)
Como se constrói uma casa: moving and interactive typography in digital and audio-visual environments

Alexandre Catarino Oliveira Martins, Bruno Mendes da Silva

49-60
- PDF (Portuguese)
- XML (Portuguese)
Communication, social change and virtual reality: analysis of immersive environments in training processes of social communicators and journalists

Sergio Alvarado Vivas, Laura Melina Martínez

61-68
- PDF (Portuguese)
- XML (Portuguese)
Eye tracking: from affect to visual concept

Felix Rebolledo Palazuelos

69-77
- PDF
- XML (Portuguese)
Artificial imagination and neo-baroque

Josep Maria Català Domènech

78-85
- PDF (Spanish)
- XML (Portuguese)
Historical immersion: virtual reality on the 1755 earthquake in quake and lisbon story centre

Fabíola Paes de Almeida Tarapanoff

86-93
- PDF (Portuguese)
- XML (Portuguese)
Interactions between art/media languages from VR-Virtual Reality and AR-Augmented Reality

Rodrigo Oliva, José Bidarra

94-101
- PDF (Portuguese)
- XML (Portuguese)
Aesthetic and poetic intersections in contemporary artivism: computational, audio-visual, and generative art

Pedro Alves da Veiga

102-110
- PDF (Portuguese)
- XML (Portuguese)
The multimedia intervention of the public space: a dynamic of audio-visual flows

Hernando Urrutia

111-118
- PDF (Spanish)
- XML (Portuguese)
Methods for creating immersive narratives: a survey of literature surveys

Cristiane Jorge de Lima Bonfim, Leonel Morgado, Daniela Cristina Carneiro Pedrosa

119-130
- PDF (Portuguese)
- XML (Portuguese)
Assumptions for an expanded kinematic experience

Rita Cassitas, Mirian Tavares

131-140
- PDF (Portuguese)
- XML (Portuguese)
Evocations that haunt the computer interface

Chris Chesher

141-145
- PDF (Portuguese)
- XML (Portuguese)
Total refusal: for a creative digital disobedience

Lucas Murari

146-152
- PDF (Portuguese)
- XML (Portuguese)
Virtual production in The Lion King (2019): formal and stylistics presentation

Sergei Glotov

153-160
- PDF
- XML (Portuguese)

Vol. 11 No. 2 (2022)

Full Issue

PRESENTATION

Apresentação

Presentación del dosier “tecnologías de innovación”

DOSSIÊ

Transdisciplinarity in digital media art as a process of creation-research

Online affections: memory, presence and exchanges in events during the pandemic

Art and immersive, interactive and intelligent network environments – AIR

Believability in virtual reality: a proposal to study brand communication in metaverses

Como se constrói uma casa: moving and interactive typography in digital and audio-visual environments

Communication, social change and virtual reality: analysis of immersive environments in training processes of social communicators and journalists

Eye tracking: from affect to visual concept

Artificial imagination and neo-baroque

Historical immersion: virtual reality on the 1755 earthquake in quake and lisbon story centre

Interactions between art/media languages from VR-Virtual Reality and AR-Augmented Reality

Aesthetic and poetic intersections in contemporary artivism: computational, audio-visual, and generative art

The multimedia intervention of the public space: a dynamic of audio-visual flows

Methods for creating immersive narratives: a survey of literature surveys

Assumptions for an expanded kinematic experience

Evocations that haunt the computer interface

Total refusal: for a creative digital disobedience

Virtual production in The Lion King (2019): formal and stylistics presentation

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