Gaby Amarantos e o mercado fonográfico contemporâneo no Brasil: uma nova formação cultural

Authors

  • Frederico de Mello Brandão Tavares Federal University of Ouro Preto image/svg+xml
  • Lorena Cristine Silva Federal University of Ouro Preto image/svg+xml
  • Thiago Guimarães Araújo Federal University of Ouro Preto image/svg+xml

Keywords:

Mediatization, Phonographic Market, Gaby Amarantos.

Abstract

The study asks about the new forms of musical production sired by the use and access to technology and its relationship to the emergence of independent markets, reorganizing patterns and logical of cultural production by the hegemonic media. The research reported focuses on the trajectory of the singer Gaby Amarantos, questioning, from its insertion in the Brazilian media and discourses built there – since the moment of their first national insertions (2010) to the height of her exhibition (2012) –, how artists make use of new types of media to disseminate their work and how, in doing so, provide visibility a new way of consuming and producing music.

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Author Biographies

  • Frederico de Mello Brandão Tavares, Federal University of Ouro Preto
    Professor Adjunto da Universidade Federal de Ouro Preto. Doutor em Ciências da Comunicação pela Universidade do Vale do Rio dos Sinos (UNISINOS). Realizou estágio de doutorado no exterior junto à Universidad Rey Juan Carlos (URJC, Madrid), Espanha.
  • Lorena Cristine Silva, Federal University of Ouro Preto
    Bcharel em Jornalismo pela Universidade Federal de Ouro Preto.
  • Thiago Guimarães Araújo, Federal University of Ouro Preto
    Bcharel em Jornalismo pela Universidade Federal de Ouro Preto.

References

Published

21-06-2014

How to Cite

TAVARES, Frederico de Mello Brandão; SILVA, Lorena Cristine; ARAÚJO, Thiago Guimarães. Gaby Amarantos e o mercado fonográfico contemporâneo no Brasil: uma nova formação cultural. Alterjor Journal, São Paulo, Brasil, v. 9, n. 1, p. 157–173, 2014. Disponível em: https://revistas.usp.br/alterjor/article/view/88318. Acesso em: 28 feb. 2026.