The creation in focus: memories, perceptions and images that emerge from the body that dances.

Authors

  • Rosely Conz Universidade Estadual de Campinas (UNICAMP)

DOI:

https://doi.org/10.11606/issn.2238-3999.v2i1p58-65

Keywords:

body memory, creative process, somatics education

Abstract

This graduate project observes the interferences of memories during the creation and performance of contemporary dance. Through theoretical and practical research, the objective is to understand the possible relation between the memories of the artist, sensation, images, experience and perception, and the creative process in dance. This project establishes a relationship between observation and practice and will have as one of it's results the creation and presentation of a contemporary dance solo. The methodology proposed offers three foundation pillars that integrate during the process: the dance technics or corporal skills, poetic references, composition and improvisational procedures as essential tools for the creative process. 

 

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Author Biography

  • Rosely Conz, Universidade Estadual de Campinas (UNICAMP)

    Mestrando Pesquisa em Andamento

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Published

2012-10-07

Issue

Vol. 2 No. 1 (2012)

Section

Apresentação de Projetos de Pesquisa

License

Copyright (c) 2012 Revista Aspas

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How to Cite

Conz, R. (2012). The creation in focus: memories, perceptions and images that emerge from the body that dances. Revista Aspas, 2(1), 58-65. https://doi.org/10.11606/issn.2238-3999.v2i1p58-65