Além das palavras de Gautama

Autores/as

  • Fernando Carlos Chamas

DOI:

https://doi.org/10.11606/ej.v0i25.142928

Palabras clave:

buddhism, sculpture, Japan, realism.

Resumen

The research of the Japanese Buddhist Sculpture, due to its complexity, demands a methodology scientifically able to sort out principles which could legitimize it as art. Through any Buddhist statue, even a simple one like “fat buddha’,or Japanese buddhist temples masterpieces, it is aimed in this article to relate a web of iconographic,historical and legendary references whose extension exceeds the limits of western artistic conventions,the restriction imposed by methodological cutting outs and the asiatic geographical frontiers.

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