Vol. 16 No. 29 (2025): Cinema russo e soviético: do império aos nossos dias

Published: 2025-11-30

Full Issue

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Editorial

• Editorial

  Fátima Bianchi

  2-4

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Apresentação

• Presentation: Dossier “Russian and Soviet Cinema: from the Empire to the Present Day”

  Erivoneide Barros, Neide Jallageas

  6-12

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Dossiê

• From Revolution to Cosmos: expressions of science fiction in the early decades of Soviet cinema

  Vinícius Braga Mendonça, Walter Günther Rodrigues Lippold

  14-36

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• "Mentally organizing what has been seen": Dziga Vertov's diary of an expedition to Crimea, August 1925

  Luis Felipe Gurgel Ribeiro Labaki

  38-62

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• The multifaceted Aleksandr Nevsky: from historical journey to Soviet reconstruction

  Guilherme Faber, Livia Bernardes Marciano

  64-88

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• Varia walks under the rubble: the dictates of “cinema for millions” in Boris Barnet’s mise-en-scène

  Nuno Lindoso

  90-108

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• A Latin Angel

  Luiz Felipe Guimarães Soares

  110-133

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• Horror as Dissonance: Genre Configurations in Soviet Cinema

  Lucas Bitencourt Fortes

  134-155

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• Narratives in Abyme in the Film Adaptations of The Master and Margarita

  Lorena Lopes Silva

  157-181

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• From text to painting on glass: the recreation of The Dream of a Ridiculous Man by Aleksandr Petrov

  Anderson Souza Cantanhede, Douglas De Sousa

  183-222

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Tradução

• The movie in front of its abyss: Eisenstein and the teaching of cinema

  José Manuel Mouriño, Erivoneide Barros

  224-250

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• Three essays on cinema, by Yuri Tyniánov

  Raquel Siphone; Iuri Tyniánov

  252-266

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Resenha

• A new study on Chernyshevsky by Camilo Domingues

  Rafael Bonavina

  364-373

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Temática livre

• The absence of affective memory and the non-conversion of Goryanchikov in Dostoevsky’s Notes from the House of the Dead

  Ednilson Rodrigo Pedroso

  268-287

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• When melancholy and redemption take the form of a question: reflections on the activity of thought in Crime and Punishment

  Hanna Estevam

  289-307

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• The "Sistine Madonna": Dostoevsky and the Exercise of Looking

  Biagio D'Angelo

  309-325

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• Possessions of writing: J. M. Coetzee's reinterpretation of Dostoevsky's fiction in The Master of Petersburg

  Antonio Maurício Martins Neto

  327-339

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• Dionysian Echoes in Rabelais and his World:the Implicit Dialogue between Nietzsche and Bakhtin

  Paulo Roberto Pedrozo Rocha, Francisco Benedito Leite

  341-362

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