Vol. 50 (2023)

Presentation

Apresentação

Esther Hamburger, Cecília Mello

1-3
- PDF (Portuguese)

Articles

The names of Júlio Bressane: a play of senses in cinematic conversations

Lennon Macedo, Bruno Leites

1-17
- PDF (Portuguese)
Two by Two, four:temporality, performance,and film essay inThe dreamed ones film

Eduardo Ferraz Felippe

1-19
- PDF (Portuguese)
The epilogue of film censorship in Chile, 1988-2001

Karen Esther Donoso Fritz, Jorge Iturriaga Echeverría

1-18
- PDF (Spanish)
Kairology and chronology in arrival and the fountain: existence, the other and the being yourself as (in)finite

Gilvan Charles Cerqueira de Araújo

1-23
- PDF (Portuguese)
Remote audiovisual editing: innovative, inclusive and multiuser technology

Elianne Ivo Barroso, Márcia Bessa, Maria Gabriela Capper, Carolina Rodrigues, Ivan Athanazio, Théo Brígida

1-20
- PDF (Portuguese)
Targeting assemblages and assembling mirages in photo report: concentration camps in Folha de S.Paulo

Daniel Macêdo

1-20
- PDF (Portuguese)
The cyberpunk culture and queer derivations in Brazilian music videos

André Filipe Cecília Malhado

1-19
- PDF (Portuguese)
Disruptive masculinity landscapes: on the power of the queer mountain

Daniel Oliveira Silva

1-21
- PDF (Portuguese)
Phasing between the audible and the visible sphere in contemporary cinema: disjunctions in films with voice over

Luíza Beatriz A. M. Alvim

1-21
- PDF (Portuguese)
Mythical realism in the western: Clint Eastwood’s Unforgiven

Mauro Baptista, Guillermo Giucci

1-20
- PDF (Spanish)
Cannes 1964: marco do engajamento dos críticos franceses ao Cinema Novo

Belisa Figueiró

1-19
- PDF (Portuguese)
The three crimes of the camera-gun: crime of passion, serial murder and selficide

Michel de Oliveira

1-15
- PDF (Portuguese)
The kitchen on TV: distinction and simulacrum in GNT culinary programs

Nara Lya Cabral Scabin

1-20
- PDF (Portuguese)
For a genesis of latin america essay cinema

Ana Paula de Aquino Caixeta, Laís de Lorenço Teixeira

1-19
- PDF (Portuguese)
Seas and aquariums: Karim Aïnouz and the waters of displacement

Lucas Soares de Souza, Sandra Fischer

1-26
- PDF (Portuguese)

Dossier

Body and historical-social experience in the Brazilian cinema (2014-2021)

Edson Pereira da Costa Júnior

1-21
- PDF (Portuguese)
- PDF
“No Brazil exists”: Conspiracist Atmospheres and Reactionary Worldview in Documentaries by Brasil Paralelo

Erick Felinto

1-13
- PDF
- PDF (Portuguese)
Film history, market and State in the work of Jean-Claude Bernardet

Arthur Autran

1-19
- PDF
- PDF (Portuguese)
For a Genealogy of the Parties of the End of the World

Denilson Lopes

1-19
- PDF
- PDF (Portuguese)
Reflections on the melodramatic cultural matrix in anime

Thátilla Santos, Lara Satler

1-20
- PDF
- PDF (Portuguese)

Traduções

Reading frontiers: on cinema and literature, by Manuel Puig

Natasha Romanzoti, Alfredo Luiz Paes de Oliveira Suppia

1-14
- PDF (Portuguese)

Reviews

The cinema of Rithy Panh: everything has a soul

Andrew I. Philip

1-9
- PDF (Portuguese)
- PDF
Political Action Through Image in the Palestinian-Israeli Conflict: Review of Screen Shots by Rebecca L. Stein

Vitoria Paschoal Baldin

1-6
- PDF (Portuguese)
The cinema of Carmelo Bene through the lenses of his cinematographer

Alexandre Wahrhaftig

1-10
- PDF (Portuguese)
Contemporary cinema in the margins and the peripheric cosmopolitism

Iago Porfírio Porfírio

1-12
- PDF (Portuguese)

Entrevistas

Entrevista com Glauber Rocha, por Agneša Kalinová para a Revista Film & doba (Cinema e Tempo) 1967

Agneša Kalinová; Luiza Wollinger Delfino

1-9
- PDF (Portuguese)
Interview with Giuliana Bruno

Esther Império Hamburger, Cecília Mello, Giuliana Bruno

1-31
- PDF
Entrevista com Giuliana Bruno

Luiza Wollinger Delfino; Esther Império Hamburger, Cecilia Mello, Giuliana Bruno

1-31
- PDF (Portuguese)

Presentation

Apresentação

Articles

The names of Júlio Bressane: a play of senses in cinematic conversations

Two by Two, four:temporality, performance,and film essay inThe dreamed ones film

The epilogue of film censorship in Chile, 1988-2001

Kairology and chronology in arrival and the fountain: existence, the other and the being yourself as (in)finite

Remote audiovisual editing: innovative, inclusive and multiuser technology

Targeting assemblages and assembling mirages in photo report: concentration camps in Folha de S.Paulo

The cyberpunk culture and queer derivations in Brazilian music videos

Disruptive masculinity landscapes: on the power of the queer mountain

Phasing between the audible and the visible sphere in contemporary cinema: disjunctions in films with voice over

Mythical realism in the western: Clint Eastwood’s Unforgiven

Cannes 1964: marco do engajamento dos críticos franceses ao Cinema Novo

The three crimes of the camera-gun: crime of passion, serial murder and selficide

The kitchen on TV: distinction and simulacrum in GNT culinary programs

For a genesis of latin america essay cinema

Seas and aquariums: Karim Aïnouz and the waters of displacement

Dossier

Body and historical-social experience in the Brazilian cinema (2014-2021)

“No Brazil exists”: Conspiracist Atmospheres and Reactionary Worldview in Documentaries by Brasil Paralelo

Film history, market and State in the work of Jean-Claude Bernardet

For a Genealogy of the Parties of the End of the World

Reflections on the melodramatic cultural matrix in anime

Traduções

Reading frontiers: on cinema and literature, by Manuel Puig

Reviews

The cinema of Rithy Panh: everything has a soul

Political Action Through Image in the Palestinian-Israeli Conflict: Review of Screen Shots by Rebecca L. Stein

The cinema of Carmelo Bene through the lenses of his cinematographer

Contemporary cinema in the margins and the peripheric cosmopolitism

Entrevistas

Entrevista com Glauber Rocha, por Agneša Kalinová para a Revista Film & doba (Cinema e Tempo) 1967

Interview with Giuliana Bruno

Entrevista com Giuliana Bruno

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