Vol. 23 (2025)

Visual essays

Sem título

João Luiz Musa, Evandro Carlos Jardim

e-242080
- PDF (Portuguese)
É a questão, é questão ou não?

Ricardo Basbaum

e-242087
- PDF (Portuguese)

Articles

“Indian Work” in the 13th Bienal de São Paulo? Aritana Yawalapíti in the Xingu Terra Room (1975)

Marília Souza

e-222443
- PDF (Portuguese)
Roland Barthes and François Laruelle on the Essence of Photography

Marco Calil, Leda Tenório da Motta

e-216769
- PDF (Portuguese)
Choreographies of Criticism in the 35th São Paulo Biennial

Daniel Oliveira Pucciarelli, Fernando Tôrres Pacheco

e-228146
- PDF (Portuguese)
From Heterogeneity to Hegemony: American Art in the First São Paulo Biennials

Dária Jaremtchuk

e-242079
- PDF (Portuguese)
The Ax Forgets, the Tree Remembers: Art, Allegory and Ancestry in the Production of Denis Moreira

Tadeu Chiarelli

e-237403
- PDF (Portuguese)
The Power to Launch Worlds into the World: Insurgent Bodies and Rancière's Aesthetic Regime of the Arts

Luiz Camillo Osorio, Lucia Barros

e-236958
- PDF (Portuguese)
Music and dance around the Church: notes for a minimum History of Carora

Moisés Orlando Chávez Herrera

e-218122
- PDF (Portuguese)
Refusal of Work, Non-doing and Practices of Disidentification in Visual Arts

Pedro Augusto Gonçalves Ribeiro de Andrada

e-215562
- PDF (Portuguese)
Alice no Brasil das Maravilhas by Joãosinho Trinta: “Popular” Agency and Transit at Sesc Pompeia

Pedro Ernesto Freitas Lima

e-222709
- PDF (Portuguese)
An Introduction to Post-critical Gallery Education

Cayo Honorato

e-221381
- PDF (Portuguese)
Narrative and literality in contemporary painting

Paula Mermelstein Costa

e-217647
- PDF (Portuguese)
The Painting of Unpleasant Subjects and the Pictorial Arts: Image Theory from Aristotle’s Poetics

Sulamita Fonseca Lino

e-215838
- PDF (Portuguese)
The Successful Disaster of Bodyspacemotionthings, by Robert Morris: 1971 vs 2009s, de Robert Morris: 1971 vs 2009 Robert Morris: 1971 vs 2009

Guilherme Meletti Yazbek

e-222980
- PDF (Portuguese)

Essays

Val-Venus: Fugitive Constellation

Osmundo Pinho

e-218325
- PDF (Portuguese)

ENTREVISTA

The Erratic Method: a Conversation with João Luiz Musa about his Artistic Practice and the Teaching of Photography at the University

Lucas Eskinazi, Marcelo Schellini

e-236609
- PDF (Portuguese)

Dossiê Deslocamentos da História e da Crítica de Arte: 1970-2020

The kaleidoscope of Arthur Bispo do Rosário History

Tania Rivera

e-233602
- PDF (Portuguese)
The Tensions between Form and Existence: the Transits of Tropicália and Tropicalism

Guilherme Wisnik

e-233236
- PDF (Portuguese)
Art criticism: a unique mode of writing production

Sônia Salzstein

e-244022
- PDF (Portuguese)
Art, criticism and art history

Ronaldo Brito

e-235712
- PDF (Portuguese)
Art and resistance

Iole de Freitas

e-235728
- PDF (Portuguese)
The Uzbekos Have no Illusions: art, Criticism and Market in the Current Situation

Lorenzo Mammi

e-233729
- PDF (Portuguese)
São Paulo Biennial and the gaming trick

Clarissa Diniz

e-233383
- PDF (Portuguese)
Contemporary Art, the Decolonial Turn, and Progressive Neoliberalism

Fabrícia Jordão

e-233378
- PDF (Portuguese)
The Role of Critique from the 1970s up to Today

Martha Telles, Fernanda Lopes Torres

e-233382
- PDF (Portuguese)
In a Double Axis: Between Sensation and Concept

Ricardo Basbaum

e-235214
- PDF (Portuguese)
Art, institutions and public space

José Resende

e-233695
- PDF (Portuguese)
Art History: Yes or No?

Vera Beatriz Siqueira

e-233935
- PDF (Portuguese)
Threads, Tropes, and Masks: The Historiography of Brazil’s Visual Arts in the Tides of Globalization

Roberto Conduru

e-234643
- PDF (Portuguese)

Vol. 23 (2025)

Full Issue

Visual essays

Sem título

É a questão, é questão ou não?

Articles

“Indian Work” in the 13th Bienal de São Paulo? Aritana Yawalapíti in the Xingu Terra Room (1975)

Roland Barthes and François Laruelle on the Essence of Photography

Choreographies of Criticism in the 35th São Paulo Biennial

From Heterogeneity to Hegemony: American Art in the First São Paulo Biennials

The Ax Forgets, the Tree Remembers: Art, Allegory and Ancestry in the Production of Denis Moreira

The Power to Launch Worlds into the World: Insurgent Bodies and Rancière's Aesthetic Regime of the Arts

Music and dance around the Church: notes for a minimum History of Carora

Refusal of Work, Non-doing and Practices of Disidentification in Visual Arts

Alice no Brasil das Maravilhas by Joãosinho Trinta: “Popular” Agency and Transit at Sesc Pompeia

An Introduction to Post-critical Gallery Education

Narrative and literality in contemporary painting

The Painting of Unpleasant Subjects and the Pictorial Arts: Image Theory from Aristotle’s Poetics

The Successful Disaster of Bodyspacemotionthings, by Robert Morris: 1971 vs 2009s, de Robert Morris: 1971 vs 2009 Robert Morris: 1971 vs 2009

Essays

Val-Venus: Fugitive Constellation

ENTREVISTA

The Erratic Method: a Conversation with João Luiz Musa about his Artistic Practice and the Teaching of Photography at the University

Dossiê Deslocamentos da História e da Crítica de Arte: 1970-2020

The kaleidoscope of Arthur Bispo do Rosário History

The Tensions between Form and Existence: the Transits of Tropicália and Tropicalism

Art criticism: a unique mode of writing production

Art, criticism and art history

Art and resistance

The Uzbekos Have no Illusions: art, Criticism and Market in the Current Situation

São Paulo Biennial and the gaming trick

Contemporary Art, the Decolonial Turn, and Progressive Neoliberalism

The Role of Critique from the 1970s up to Today

In a Double Axis: Between Sensation and Concept

Art, institutions and public space

Art History: Yes or No?

Threads, Tropes, and Masks: The Historiography of Brazil’s Visual Arts in the Tides of Globalization

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