Reareading a musicológica Kamayurá by Rafael José de Menezes Bastos: 40 years beyound and anthropology without music and a musicology without humans

Authors

  • Tatyana de Alencar Jacques Universidade Federal de Santa Catarina, Florianópolis

DOI:

https://doi.org/10.11606/issn.2525-3123.gis.2016.116379

Abstract

The work by Rafael José de Menezes Bastos A Musicológica Kamayurá is about to complete its 40th anniversary. Initially presented in October
1976 in the form of a master’s dissertation on the Graduate Program in Social Anthropology at the University of Brasilia, supervised by Peter
Silverwood-Cope, David Price and Roque de Barros Laraia, it was first published in 1978 by the National Indian Foundation (FUNAI) in a limited
print run that quickly sold out. As Anthony Seeger remarks, it then “circulated from hand-to-hand,” “safeguarded like treasure by those able to obtain their own copy” (Seeger 1999, p. 13). In 1999, the second edition of the book was published – according to Menezes Bastos, almost verbatim in relation to the first – by the publishing house of the Federal University of Santa Catarina, where he has been a professor since 1984.

Translation: David Rogers

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Author Biography

  • Tatyana de Alencar Jacques, Universidade Federal de Santa Catarina, Florianópolis

    Graduada em Música (piano) pela UDESC (2002), Mestre (2007) e Doutora (2014) em Antropologia Social pela UFSC e pesquisadora do Núcleo Arte, Cultura e Sociedade da América Latina e Caribe (MUSA) do PPGAS/UFSC.

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Published

2016-06-23

Issue

Vol. 1 No. 1 (2016)

Section

T.I.R. - Translations, Interviews and Reviews

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How to Cite

Jacques, Tatyana de Alencar. 2016. “Reareading a musicológica Kamayurá by Rafael José De Menezes Bastos: 40 Years Beyound and Anthropology Without Music and a Musicology Without Humans”. GIS - Gesture, Image and Sound - Anthropology Journal 1 (1). https://doi.org/10.11606/issn.2525-3123.gis.2016.116379.