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No. 26 (2014)

View No. 26 (2014)

Published: 2014-11-05

Editorial

Editorial n. 26

Aline Novais de Almeida, Claudia Amigo Pino, Luciana Antonini Schoeps

1-4
- PDF (Portuguese)

Facsímile

A escrita de chumbo de Roland Barthes

Claudia Amigo Pino

8-9
- PDF (Portuguese)

Ateliê

Classify and create: Guimarães Rosa’s creative breviary

Monica Fernanda Rodrigues Gama

10-26
- PDF (Portuguese)
The divine and the unconscious in Oedipus on the road by Henry Bauchau

Philippe Marie Willemart

27-42
- PDF (Portuguese)
A much needed, terribly obscene sentence

Natalia Borges Polesso

43-49
- PDF (Portuguese)
Waves crashing non-stop: Sophia de Mello Breyner Andresen’s writing process

Fabiana Miraz de Freitas Grecco

50-61
- PDF (Portuguese)
Archives in motion: New reflections from genetic criticism

Lea Hafter, Verónica Stedile Luna

62-75
- PDF (Portuguese)
The potentiality of the contact sheet as photography analysis

Patricia Kiss Spineli

76-85
- PDF (Portuguese)
Autobiographical motivation in Lima Barreto

Manoel Freire

86-96
- PDF (Portuguese)
The defunct author on Machado de Assis’ correspondence: ethos, rhetoric and fictional narrator

Luciana Antonini Schoeps

97-112
- PDF (Portuguese)

Tradução

A rasura de nascimento do estruturalismo

Jean-Claude Monod, Luciana Antonini Schoeps

113-117
- PDF (Portuguese)

Diálogo

Diálogo con el escritor Venezolano José Balza: “Toda mi obra es un gran texto prolongado, quizá unitario, cambiante, diverso que desemboca como el río”

Digmar Jiménez Agreda

118-123
- PDF (Portuguese)

Passado a limpo

Passado a limpo, n. 26

Aline Novais de Almeida

5-7
- PDF (Portuguese)